The classy Contessa
Posted: Sat Jan 14, 2023 7:40 pm
The Contessa looks similar to the Contina or Ikonta 35, but has a lot more features, especially a rotating wedges rangefinder and a selenium light meter. The lens is a very decent Tessar, 45mm, f/2.8.
Although already featured in the Friday thread, allow me to repeat the pictures of the camera for completeness. This one has a T serial number.
Shutter speed, aperture and focus are selected by very thin serrated rings around the lens. All selected values can be read from above, which I find convenient. Although the serrated rings are very close together, in practice there are no big issues with ergonomics, at least for my relatively small hands.
The rangefinder in my example is easy to snap into focus, and accurate enough. The viewfinder, alas, is not very bright and quite small.
Film transport is from right to left (looking at the back of the camera), and winding and rewinding knobs are located at the bottom. The film direction gives frames which are inverted with regards to modern custom, but not unusual at the time; IIRC Exaktas work the same way. Film counter is also downstairs. In my example frame separation was a bit irregular but useable.
I took this aristocratic classic to my usual proving grounds, loaded with HP5+, and got a little fishing boat coming in just in time for the test roll.
The fisherman was discussing with his partner onshore.
Tried closer focus, which seems accurate enough.
Went to the nearby yacht club in order to finish the roll. Once you could just walk in, but lately a guard takes your data, borrows your ID card and gives you a visitor badge. Not a big deal for a dedicated amateur. In the piers there are beautiful and expensive yachts, well moored. Some contrast with the fishing dock nearby.
The yachts are tied to old tyres, for some reason. Another try at close focus.
This camera is a worthy competitor to the Retinas of the same period. Personally I am more used to the Retinas, but this one is in the same class. The Contessa was manufactured in Stuttgart, same as the Retinas.
Thanks for looking!
Although already featured in the Friday thread, allow me to repeat the pictures of the camera for completeness. This one has a T serial number.
Shutter speed, aperture and focus are selected by very thin serrated rings around the lens. All selected values can be read from above, which I find convenient. Although the serrated rings are very close together, in practice there are no big issues with ergonomics, at least for my relatively small hands.
The rangefinder in my example is easy to snap into focus, and accurate enough. The viewfinder, alas, is not very bright and quite small.
Film transport is from right to left (looking at the back of the camera), and winding and rewinding knobs are located at the bottom. The film direction gives frames which are inverted with regards to modern custom, but not unusual at the time; IIRC Exaktas work the same way. Film counter is also downstairs. In my example frame separation was a bit irregular but useable.
I took this aristocratic classic to my usual proving grounds, loaded with HP5+, and got a little fishing boat coming in just in time for the test roll.
The fisherman was discussing with his partner onshore.
Tried closer focus, which seems accurate enough.
Went to the nearby yacht club in order to finish the roll. Once you could just walk in, but lately a guard takes your data, borrows your ID card and gives you a visitor badge. Not a big deal for a dedicated amateur. In the piers there are beautiful and expensive yachts, well moored. Some contrast with the fishing dock nearby.
The yachts are tied to old tyres, for some reason. Another try at close focus.
This camera is a worthy competitor to the Retinas of the same period. Personally I am more used to the Retinas, but this one is in the same class. The Contessa was manufactured in Stuttgart, same as the Retinas.
Thanks for looking!